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Stories from Latino L.A.

In conversation with John Nein, Senior Programmer, Sundance Film Festival
Date: Friday, Sep 15, 2017
Time: 7:30pm
Location: Mark Taper Auditorium-Central Library
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IMPORTANT PARKING/PROGRAM DETAILS BELOW!

Special Events: Beginning at 6:00 p.m., all attendees are invited to view the brand-new exhibition Visualizing Language: Oaxaca in L.A. Light refreshments will be served. The exhibit is on the second floor of the Central Library and will not be available for view after the program. LFLA Members are invited to stay for a special reception in the Taper Courtyard after the program.


Parking:
Before 7:00 p.m, parking is available in the Westlawn Garage underneath the Library at 524 South Flower Street. If you arrive at 7:00 p.m. or after, Flower Street and the Westlawn Garage entrance on Flower Street will be closed. The open entrance will be on Grand Avenue, between 5th and 6th Streets. On Grand, you will turn right in to the first driveway after the 5th Street intersection. A Library Security Officer will be present. We apologize for any confusion caused by the ongoing construction projects in the downtown area. Please plan ahead and allow extra travel time. We recommend taking public transportation or ride share services such as Uber or Lyft.

 
As Lost & Found at the Movies is free of charge, it is our policy to overbook. In the case of a FULL program your free reservation may not guarantee admission. We recommend arriving early. Unclaimed reservations will be released to standby patrons at the start of each program.


In celebrating the breadth and diversity of Latino film culture in Los Angeles, we’re joined by actor and filmmaker Edward James Olmos, LA born and bred, for a look at the films and experiences that were formative to his work as well as his role in the emergence of a strong, distinctive cinema that countered stereotypes and offered complex stories of Latino characters and communities.

As a prologue, we also explore one of the most fascinating but overlooked stories in Hollywood history: the Spanish-language features produced by the studio system in the early years of talkies, after the introduction of sound threatened Hollywood’s once universal product. These films (like Universal’s 1931 Dracula in which you will find Carlos Villarias rather than Bela Lugosi bearing fangs) as well as those imported from Latin America, sustained a string of downtown theaters and a thriving film culture from the 1930s to the early 1960s.

Sadly many of these movies, stars and theatres have been lost to time, but we remember them with film archivist Alejandra Espasande-Bouza (Academy Film Archive) along with a sneak peek at some rare treasures forthcoming from the Academy Film Archive and the UCLA Film & Television Archive PST programs.

LFLA Members enjoy exclusive access to the exhibition Visualizing Language: Oaxaca in L.A. prior to the program, and a Member Reception to follow the program

Lost & Found at the Movies is generously supported by the Hollywood Foreign Press Association

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Frequently asked questions

Edward James Olmos

EDWARD JAMES OLMOS (Axford) has achieved extraordinary success as an actor, producer and humanitarian. The Tony, Emmy and Academy Award® Nominated actor, is probably best known to young audiences for his work on the SYFY television series “Battlestar Galatica” as Admiral William Adama.  Although the series kept the actor busy during its run from 2003 through 2009, it didn’t stop him from directing the HBO movie “Walkout” in 2007, for which he earned a DGA Nomination in the Outstanding Directorial Achievement in Movies for Television category.

Olmos’ career in entertainment spans over 30 years. Originally a musician, Olmos branched out into acting, appearing in many small theatre productions until portraying the iconic El Pachuco in “Zoot Suit.”  The play moved to Broadway and Olmos earned a Tony nomination for the role, which he revised in the 1981 film version. Olmos went on to appear in the films Wolfen, Blade Runner, and the Ballad of Gregorio Cortez before starring in his biggest role to date, that of Lieutenant Martin Castillo in the iconic 80’s television series “Miami Vice” opposite Don Johnson and Philip Michael Thomas.  During his time on the Michael Mann series, Olmos earned two Golden Globe and Emmy Award nominations, resulting in a win from each.
In 1988, the actor was nominated for an Academy Award® and won the Golden Globe for his portrayal of Jaime Escalante in Stand and Deliver.  He directed and starred in his first motion picture, American Me, in 1992.

Olmos’ passion for the arts grows every year, but he never forgets to give back to the communities that support him with their dedication and support. He is an international advocate, spokesman, and humanitarian working with organizations such as Thank You Ocean, Project Hope Foundation, Children’s Hospital of Los Angeles, The Boy’s and Girl’s Club of America, The River Keepers, Dr. Andros’ Diabetic Foot Global Conference and he speaks up to 150 times a year in schools, universities, and corporations.
Other credits as an actor include the motion pictures My Family/Mi Familia; Selena, which was a breakout film for Jennifer Lopez; and In the Time of Butterflies, in which he played Dominican Republic dictator Rafael Leonidas Trujillo.  In television, he enjoyed a recurring role as U.S. Supreme Court Justice Roberto Mendoza in the NBC drama “The West Wing,” portrayed a widowed father in the PBS drama American Family: Journey of Dreams, and recently Directed the YouTube phenomena “The Short Film BP Doesn’t Want You To See,” featured on Larry King/CNN.


Alejandra Espasande Bouza

Alejandra Espasande Bouza holds a B.A. in Film Production from USC’s School of Cinematic Arts and an M.A. in Moving Image Archive Studies from UCLA. Her research work centers on documenting LA based underrepresented stories with emphasis on early production, distribution, and exhibition of Spanish-language cinema in Los Angeles. She currently works as a Film Archivist for the Packard Humanities Institute collection of film advertisements, on deposit at the Academy Film Archive, and is a curator of the Getty Pacific Standard Time: L.A./L.A. – UCLA project: Classic Latin American Cinema in Los Angeles (1932-1960).


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Stacy Lieberman

As President and CEO of the Library Foundation of Los Angeles (LFLA), Stacy Lieberman is an innovative and inclusive leader whose career dwells at the intersection of arts and culture, lifelong learning, storytelling, and equitable access. Stacy guides the Foundation’s philanthropic and public-facing priorities to serve the Los Angeles Public Library, embracing the notion that libraries are beacons of democracy where everyone is welcome. She works intentionally with community leaders, donors, and internal and external strategic partners to raise awareness and resources for the Library and its life-changing initiatives.

With more than 20 years of experience as a senior executive, Stacy has left an indelible mark on iconic L.A. arts, non-profit, and educational institutions such as The Broad, the Autry Museum of the American West, and the Skirball Cultural Center. Building on an early career in book publishing, she has dedicated her professional life to sharing stories and broadening the reach of public institutions to welcome visitors and students of all ages and backgrounds to experience educational, arts, and cultural opportunities.