Travel the globe through Hisham Aidi’s “Rebel Music” playlist and you’ll find yourself sampling Taqwacore (Islamic punk) from Pakistani-American punk rockers, Randy Weston’s fusion of jazz and Gnawa (African Islamic spiritual music), and poppy Brazilian funk from the soundtrack of a Brazilian telenovela filmed in Turkey. Throughout the extraordinary breadth of his book, Rebel Music: Race, Empire and the New Muslim Youth Culture, Aidi looks at the bridge between political activism and music through a historic and cultural lens, focusing on youth movements and the trans-Atlantic journey that Muslims, both European and American, are making in their search for freedom and a modern identity. What might their “audiotopia” sound like? Aidi previews a few of the tracks on his playlist for us here. Join Hisham Aidi together with Safa Samiezade’-Yazd, Aslan Media’s art, culture and music editor, for a listening experience and conversation at ALOUD on March 13.
The Kominas, “Tunn”
Pakistani-American punk rockers part of Taqwacore movement, responding to Bush/Blair/Musharaf policy of using Sufism for de-radicalization
Randy Weston, “Blue Moses” (advance to 3:30 min mark)
Weston was one of the earliest American musicians to take an interest in Ganwa, helping bring the music out of the margins and into the mainstream
Koringa, “Dança Sensual”
Funk soundtrack to Brazilian telenovela “Salve Jorge” which addresses relations between Brazil and Turkey, and caused a mania for all Turkish things in Brazil
Hanine Y Son Cubano, “‘Ala Bali” (advance to 1:45 min mark)
Lebanese-Cuban collaboration and example of post-9/11 wave of Tropicalism-Orientalism. Stunning call and response
Outlandish, “Callin’ U”
Danish-Muslim hip-hop/R&B trio, pioneers of European Muslim rap & R&B
The above image featured on the ALOUD spring postcard features a photograph of artist Mohammed Ali’s fusion of street art and Arabic script (“Unity”) on a wall in Birmingham, UK.