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“Form is an Extension of Content” wrote Charles Olson. What is a writer’s relationship to form? Three accomplished, innovative and genre-crossing writers explore the power and influence of structure, starting with the sentence, in revealing and shaping their material.

Anne Germanacos

Anne Germanacos is the author of the short-story collection In the Time of the Girls by BOA Editions. Together with her husband, Nick Germanacos, she ran the Ithaka Cultural Studies Program on the islands of Kalymnos and Crete. She now runs the Germanacos Foundation in San Francisco.

Dinah Lenney

Dinah Lenney

Dinah Lenney wrote Bigger than Life: A Murder, a Memoir, published in Tobias Wolff’s American Lives Series at the University of Nebraska Press, and co-authored Acting for Young Actors. A longtime actor herself, she’s appeared on stage, in movies, and in countless episodes of primetime television. Her prose has been published in many journals and anthologies. A graduate of Yale and the Neighborhood Playhouse, Dinah serves as core faculty in the Master of Professional Writing Program at USC and in the Bennington Writing Seminars, where she earned her MFA. Her new memoir is The Object Parade.

Matias Viegener

Matias Viegener

Matias Viegener is an artist, author and critic who teaches at CalArts. He is one of the members of the art collective Fallen Fruit, which has exhibited internationally in Mexico, Colombia, Denmark, Austria (Ars Electronica), LACMA, the Yerba Buena Center for the Arts, and ARCO 2010 in Madrid. He writes regularly on art for X-tra and ArtUS, has recently published in Cabinet, Journal of Aesthetics & Protest, Radical History Review, and Black Clock, and is the co-editor of SÌÄå©ance in Experimental Writing and The Noulipian Analects. His book 2500 Random Things About Me Too was published in 2012 by Les Figues Press.

Jim Krusoe

Jim Krusoe

Jim Krusoe has published five novels and two books of stories, Blood Lake and Abductions. His first novel, Iceland, was published by Dalkey Archive Press in 2002. Since then, Tin House Books has published Girl Factory, Erased, Toward You, and Parsifal. Jim teaches writing at Santa Monica College as well as in Antioch’s MFA Creative Writing Program. He has also published five books of poems.

Frequently Asked Questions

  • Why do programs fill so quickly?

    ALOUD provides a unique experience for the public to engage with scholars, authors, and artists in the intimate 235-seat Mark Taper Auditorium. Library Foundation Members have the benefit of reserving for programs in advance of the public. Consider joining as a Member to receive this benefit, and check the website on an on-going basis for program availability. Be sure to subscribe to our email alerts, and visit our Media Archive for podcasts and other items from our recent programs.

  • Where does ALOUD take place?

    Unless otherwise noted, ALOUD programs are held at the downtown Central Library’s Mark Taper Auditorium.

  • Where should I park?

    We recommend taking public transportation. Parking for the Central Library is at the Westlawn Garage at 524 S. Flower Street. For more information, visit the Library’s website.

  • Should I purchase the author’s book in advance?

    We encourage you to purchase books from the Library Store. All proceeds benefit the Los Angeles Public Library. Books are made available for purchase when you reserve for a program online, and are also on sale at programs. In order to participate in the book signing, you must purchase at least one book from The Library Store. Members receive discounts on purchases.

  • Where can I find podcasts and videos of ALOUD programs?

    Podcasts and videos from our programs are available free online at our growing Media Archive. Visit the archive at lfla.org/media-archive to explore hundreds of podcasts and videos spanning 20+ years of ALOUD’s history bringing authors, artists, and t thinkers to the Los Angeles Public Library.